Week 1 of 2 of my vacation is now over and -yes- there is still a planet beyond my desk (and story files on my harddrive). I planned on working on "Business As Usual" (or at least the polishing for the PDF/e-book version of "Family Matters"), instead I'm playing with my long going Family Matters side-story "Mariko" - a.k.a. the sordid tale of Seishiro, his kids, and a house in Osaka... Okay, not so much of the last one, because I'm not that much into architecture. Anyway, here's the result of last week's work...
Story: Mariko
word count: 3191 (down from 3903)
less because I now take advantage of the episodic nature of the story and tell some of the crucial details in retrospect / memories, thus eliminating a lot of otherwise necessary but unimportant clutter.
structure: Part I (1983, just prae bet, Seiran), Part II (1987, Paper doesn't blush), Part II (1991, between end-of-bet and Hokuto's death, Jiro and Taro).
scenes Part I: cliff, illusion, biology practice, killing schedule, {caught in the act}.
scenes Part II: the patience of the predator
scenes Part III: {without an eye}, phone order, {dead man mating, accommodating a Sumeragi}
[complete, incomplete, {missing}]
quote of the day Part I: "Is there a fridge?"
quote of the day Part II: "She might become prey."
quote of the day Part III: "Why don't you take off your glasses?"
...and I probably should stop making plans for specific writing tasks (see above). I always end up working on something different anyway!
Story: Mariko
word count: 3191 (down from 3903)
less because I now take advantage of the episodic nature of the story and tell some of the crucial details in retrospect / memories, thus eliminating a lot of otherwise necessary but unimportant clutter.
structure: Part I (1983, just prae bet, Seiran), Part II (1987, Paper doesn't blush), Part II (1991, between end-of-bet and Hokuto's death, Jiro and Taro).
scenes Part I: cliff, illusion, biology practice, killing schedule, {caught in the act}.
scenes Part II: the patience of the predator
scenes Part III: {without an eye}, phone order, {dead man mating, accommodating a Sumeragi}
[complete, incomplete, {missing}]
quote of the day Part I: "Is there a fridge?"
quote of the day Part II: "She might become prey."
quote of the day Part III: "Why don't you take off your glasses?"
...and I probably should stop making plans for specific writing tasks (see above). I always end up working on something different anyway!
no subject
Date: 2011-07-24 15:13 (UTC)From:Mariko is an interesting character even if there are more questions than answers about her past in the main story. Or thanks to that.
And I fail to imagine the father-daughter relationship in this "family". :)))
no subject
Date: 2011-07-24 15:25 (UTC)From:However, who knows what Subaru will cause with that in the end.
no subject
Date: 2011-07-24 16:05 (UTC)From:no subject
Date: 2011-07-24 21:23 (UTC)From:no subject
Date: 2011-07-24 21:40 (UTC)From:Your caracters manage to be domestic and deadly at the same time. ;) A wonderful combination.
no subject
Date: 2011-07-25 08:33 (UTC)From:no subject
Date: 2011-07-25 08:58 (UTC)From:That reminds me of "Mr. and Mrs. Smith" a bit. But Jane couldn't cook. Nobody's perfect)
no subject
Date: 2011-07-25 09:35 (UTC)From:on the other hand, if you ever went holiday shopping, you'll know that the average city dweller is a lot more murderous than the typical medieval invasion army when shopping for his/her loved ones, hence... ;)
But this is getting entirely off topic.
I think my main point is that the depiction of most dangerous persons as not being domestic is kind of beside the point: given their "work", relying on cleaning & cooking personnel seems kind of negligent most of the time. So domesticity to some degree is a necessity.
no subject
Date: 2011-07-25 09:43 (UTC)From:no subject
Date: 2011-07-25 00:14 (UTC)From:no subject
Date: 2011-07-25 08:34 (UTC)From: